She spoke more softly than I'd ever heard her speak before. Not weakly, you understand, but with a kind of tenderness I'd always assumed she would never feel toward me. In truth, I hadn't believed she felt it toward anybody.

"So the business about the Gearys-?"

"Must go in. All of it. Every last detail. Don't spare any of them. Or any of us, come to that. We've all made our compromises over the years. Treated with the enemy instead of stopping their hearts."

"Do you hate the Gearys?"

"I should say no. They're only human. They know no better. But yes, I hate them. If they didn't exist I'd still have a husband and a son."

"It's not as though Galilee's dead."

"He's dead to me," she said. "He died the moment he sided with them against your father." She snapped her fingers lightly, and her quill-pig turned round and waddled back to her. Throughout this entire conversation I'd seen only glimpses of her, but now, as the porcupine approached her, she bent down to gather it up into her arms, and the moonlight, washing up off the boards, momentarily showed me her entirely. She was not, as Marietta had reported, frail or sickly; far from it. She looked like a young woman to my eye; a woman prodigiously gifted by nature: her beauty both refined and raw at the same time, the planes of her face so strong she seemed almost the idol of herself, carved out of the silver light in which she stood. Did I say that she was beautiful? I was wrong. Beauty is too tame a notion; it evokes only faces in magazines. A lovely eloquence, a calming symmetry; none of that describes this woman's face. So perhaps I should assume I cannot do it justice with words. Suffice it to say that it would break your heart to see her; and it would mend what was broken in the same moment; and you would be twice what you'd been before.

With the quill-pig in her arms, she was moving toward the door. But as she reached it she halted (all this I only heard; she was again invisible to me).